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Comme_le_Vent
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Posted: Sat Aug 28, 2004 2:02 pm Post subject: Favorite Paraphrases? |
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What are your favourite pieces of this kind?
And which composers/pianists do u think wrote the best ones?
Imo - i think horowitz and volodos are complete geniuses at this.
Btw, paraphrase is a piece based upon themes by other composers - ie. Liszt's Robert-le-Diable Fantasy, and Horowitz's Carmen. |
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Jackson
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Posted: Sat Aug 28, 2004 2:10 pm Post subject: |
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Never heard one. |
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Comme_le_Vent
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Posted: Sat Aug 28, 2004 2:16 pm Post subject: |
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you are lying!!!!!!!!! |
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Jackson
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Posted: Sat Aug 28, 2004 2:26 pm Post subject: |
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*snif**snif* No i'm not... *snif**snif* |
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Comme_le_Vent
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Posted: Sat Aug 28, 2004 2:33 pm Post subject: |
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hahahahahaha, come on...never heard liszt don juan or horowitz's carmen? |
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Jackson
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Posted: Sat Aug 28, 2004 2:41 pm Post subject: |
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I've heard Carmen but not Horowitz one, and never listened to Liszt's Don Juan. iS IT a transcription? |
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PianistSk8er
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Posted: Sat Aug 28, 2004 3:11 pm Post subject: |
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Don Juan is an amazing transcription and a great piano piece, I like it a lot. Other than that, I haven't really heard tons of them. |
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Scriabinist
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Posted: Sat Aug 28, 2004 3:17 pm Post subject: |
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I like Liszt's Reminiscences de Norma. And Horowitz's Rakoczy march is wikid tooo, if that counts. |
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beethoven
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Posted: Sat Aug 28, 2004 5:23 pm Post subject: |
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I like Liszt Don Juan. I think it's the best. |
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Philip Daniel
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Posted: Sat Aug 28, 2004 5:27 pm Post subject: |
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I have many reservations about Liszt's paraphrases & transcriptions, but I shall admit, my favorite is his Reminiscences de Norma, but that is primarily because of my love for the music of Bellini. |
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Jeliness2
Moderator Team Lieder

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Posted: Sat Aug 28, 2004 5:31 pm Post subject: |
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Lol, ive only heard the rigoletto. |
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Philip Daniel
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Posted: Sat Aug 28, 2004 5:36 pm Post subject: |
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For those interested, here's a complete list of Liszt's operatic paraphrases:
Auber La fiancée; La muette de Portici (Masaniello)
Bellini: I puritani; La sonnambula; Norma
Berlioz: Benvenuto Cellini
Delibes: Jean de Nivelle
Donizetti: Lucia di Lammermoor; Parisina; Lucrezia Borgia; La favorite; Dom Sébastien
Erkel: Hunyadi László
Ernst, Duke of Saxe-Coburg-Gotha: Tony; Diana von Solange
Glinka: Ruslan i Lyudmila
Gounod: Faust; La reine de Saba; Roméo et Juliette
Halévy: La juive
Handel: Almira
Mercadante: Il giuramento
Meyerbeer: Les Huguenots; Robert le diable; Le prophète; L'africaine
Mosonyi: Szép Ilonka
Mozart: Don Giovanni; Le nozze di Figaro; Die Zauberflöte
Pacini: Niobe
Raff: König Alfred
Rossini: Ermione; La donna del lago; Armide; Otello; Le siège de Corinthe; Guillaume Tell
Spohr: Zemire und Azor
Spontini: Olympie; Fernand Cortez
Tchaikovsky: Eugene Onegin
Verdi: I lombardi; Ernani; Il trovatore; Rigoletto; Don Carlos; Aïda; Simon Boccanegra
Wagner: Rienzi; Der fliegende Holländer; Tannhäuser; Lohengrin; Tristan und Isolde; Die Meistersinger von Nürnberg; Das Rheingold; Parsifal
Weber: Der Freischütz; Oberon
You see now how prolific he truly was in the field of free paraphrase, where his greatest genius lies. Right now, I'm listening to his paraphrase on Handel's Almira. So far, I like it . |
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virtuoso_735
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Posted: Sat Aug 28, 2004 6:36 pm Post subject: |
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Don Juan by Liszt. I like Chopin's variations on "La Ci Darem la Mano" as well, does that count as a paraphrase? Horowitz's Carmen and also his Stars and Stripes paraphrases are wonderful as well. |
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TheRach
i hate rovolCz
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Posted: Sat Aug 28, 2004 10:38 pm Post subject: |
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Lol Philip, you missed the Liszt transcription of Mozart's Requiem.
I don't recommend it, by the way. |
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Philip Daniel
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Posted: Sat Aug 28, 2004 10:45 pm Post subject: |
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virtuoso_735 wrote: |
I like Chopin's variations on "La Ci Darem la Mano" as well, does that count as a paraphrase? |
No, it doesn't; it's a set of variations for piano and orchestra , which is quite a different thing.
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