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What are you working on right now?
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Philip Daniel
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PostPosted: Tue Aug 31, 2004 5:08 am    Post subject: What are you working on right now? Reply with quote

Here's a place to write what you have been composing lately. Right now, I'm composing a Missa Brevis in A for Soprano, Alto, Tenor, Choir, Strings, and Continuo, which I might dedicate to Chozart Wink, for her love of such music. I've been very inspired lately, and I do think I've created some exquisite melodies to suit the timeless words of the Mass. It's being notated entirely by hand, and I'm almost finished the rough draft; soon, I'll be working on the final copy Mr. Green.
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beethoven
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PostPosted: Tue Aug 31, 2004 7:03 am    Post subject: Reply with quote

Wow, that's great. Razz

I'm working on a Piano septet( 2 Violins, One Viola, 2 Cellos, Contrabass). It's in Cminor, I have finished the first movement. Now, I'm working on the 2nd movement which is in F-sharp minor, and also on the fugue for the lasytmovement.
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TheRach
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PostPosted: Tue Aug 31, 2004 1:00 pm    Post subject: Reply with quote

I'm working on my composition which I have no idea what the form is and all I know is that it has 2 themes in the whole piece and it sucks and harmony is incredibly lacking and then Comme comes and he says he's heard this somewhere before.
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Debussy
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PostPosted: Wed Sep 01, 2004 12:46 am    Post subject: Reply with quote

I'm going to attempt my first composition soon and it will be the easiest form of composition: a variation.

I'm thinking of either doing Variations in C Major or Variations of all Keys by starting in C Major, and then changing the pitch through all 24 keys. Smile That would be a very long piece; but it'd be cool. Smile
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PostPosted: Wed Sep 01, 2004 1:05 am    Post subject: Reply with quote

Hmm, interesting..

I'd think that I'll start workin on my first composition soon as well.

I don't really know what it will be yet, I'll figure that all out before, though. Wink

PS
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PostPosted: Fri Sep 03, 2004 11:31 am    Post subject: Reply with quote

I just finished a waltz for the CF composing contest. I'm also working on some variations and trying to do something to all those unfinished pieces I have..

--
DDN Cool
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PostPosted: Fri Sep 03, 2004 11:50 am    Post subject: Reply with quote

a day long fugue in c flat minor

Cool
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PostPosted: Mon Sep 06, 2004 2:34 am    Post subject: Reply with quote

I'm working on nothing right now, but i think ill start somthing right now. Smile
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PostPosted: Mon Sep 06, 2004 2:42 am    Post subject: Reply with quote

I'm working on a nocturne I started a few weeks ago, but due to school, it's progress is impeded. I'm gonna finish tomorrow hopefully, and you guys can listen to it! I think I'm doing good with the music, but I have no experience at all in form or harmony.
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PostPosted: Mon Sep 06, 2004 3:08 am    Post subject: Reply with quote

well i went to the piano and nothing good came to me right away and finally i came up with this small part(crude interpitation, i couldnt acsess my recorder so i hand inputed into midi really quickhttp://www.geocities.com/joviansystem/x.mid maybe i will continue it tommorrow, do you think i should?
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PostPosted: Mon Sep 06, 2004 3:49 am    Post subject: Reply with quote

I think you should. Cool
I'm working on a piece that I call "Rondo Fantasia" although it is neither a Rondo nor a Fantasia. I just call it that because I don't know what else to call it and mostly the people that I showed it to don't know what Rondos or Fantasias are. Cool
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Philip Daniel
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PostPosted: Mon Sep 06, 2004 4:02 am    Post subject: Reply with quote

TheRach wrote:

I'm working on a piece that I call "Rondo Fantasia" although it is neither a Rondo nor a Fantasia. I just call it that because I don't know what else to call it and mostly the people that I showed it to don't know what Rondos or Fantasias are. Cool

I have some advice for you, TheRach (as usual Wink); I tell you, through all my experience in earnest composition, when working on a piece, concentrate on composing it, on the individual components of its structure and invention, rather than deciding on a title for it. That should come much later, after revision and editing and completion of the music itself Smile. I'd like to hear your piece, by the way, when it is complete or near completion so I may give you some helpful critiques on how to improve certain areas of interest Wink.
Best Wishes,
Philip Daniel
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PostPosted: Mon Sep 06, 2004 4:07 am    Post subject: Reply with quote

I knew someone was gonna come and tell me about my title. Cool
Yeah, by the way, the piece is the piece that I was asking, "Is this piece written by me or did I hear it somewhere else?" I'm just making it complete now. Cool

Edit: By the way, Philip, I'm listening to Pergolesi. Cool
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PostPosted: Thu Sep 09, 2004 3:34 am    Post subject: Reply with quote

hahaha, dont listen to any phildan advice unless it will aid attaining the end you wish.

phildan is a traditional mofo wit a 80s haircut - and we dont like no choochoo-trains in dis hood wit da al capone mofo drivin ma benz.
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PostPosted: Mon Sep 27, 2004 4:34 am    Post subject: Reply with quote

Philip Daniel wrote:
Here's a place to write what you have been composing lately. Right now, I'm composing a Missa Brevis in A for Soprano, Alto, Tenor, Choir, Strings, and Continuo, which I might dedicate to Chozart Wink, for her love of such music. I've been very inspired lately, and I do think I've created some exquisite melodies to suit the timeless words of the Mass. It's being notated entirely by hand, and I'm almost finished the rough draft; soon, I'll be working on the final copy Mr. Green.


aww thanks! Sounds good ^_^ Can't wait to hear it
You better make some good alto and tenor parts.. I always watch for them, particularly the altos, whenever I hear choral music. Oft they are overshadowed, underacknowledged, or simply.. not good enough Surprised
And although I am a soprano (mezzo), I love the harmonies presented by the altos, so I'm always purposely listening for them.
As for tenors, I like to see if I can pick out a single voice, especially when they sing falsetto. Plus, I notice they're often droned out by the powerful bases, when their parts are usually so beautiful.

Arrow
Well I hadn't been thinking of composing really.. but my cousin wants me to sort of magically - with my amateurness - transcribe Liszt's "La Campanella" to guitar o_O
I tried 'teaching' her the beginning by giving her the key, humming the theme, and telling her what to do exactly with each hand.. so it was sorta like Chozart's variations on Paganini Etude No.3. lol.

Well I thought that would be too difficult & tedious to transcribe that piece, especially since I had never really transcribed before (well.. sorta.. for violin & cello I kind of did in the past for my friends).

So I'm thinking I'll finally get around to writing a piece, which is inspired by the introduction of "La Campanella", and just play around with some of the themes ~ but it'd be for guitar. I thought of doing it in either c# or d# minor, .. maybe leave it in g#.. but I like c# for some reason.. easy to work with. lol.
I imagine that would be very nice for guitar; it would lack things from Liszt, and have what I bring to it (whether or not what I do is any good, we'll see Wink).
So ya Razz
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