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Favorite Beethoven Sonata
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Favorite Sonata?
Pathetique
28%
 28%  [ 4 ]
Moonlight
0%
 0%  [ 0 ]
Pastoral
7%
 7%  [ 1 ]
Les Adieux
7%
 7%  [ 1 ]
The Tempest
21%
 21%  [ 3 ]
Waldstein
14%
 14%  [ 2 ]
Appassionata
7%
 7%  [ 1 ]
Hammerklavier
14%
 14%  [ 2 ]
Total Votes : 14

Author Message
beethoven
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beethoven

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Posted: Sun Aug 29, 2004 4:05 am    Post subject:

Philip Daniel wrote:
beethoven wrote:
I'm interested to see what you people think about Op.111?

It's one of the most subjective and personal pieces in Beethoven's ouvre, and I find every single note compelling and beautiful; in fact, it is hard not to be drawn to the beauties of Beethoven's many sonatas & variations for piano, but this one is special . The passion of the first movement and the grace of the arietta that follows are very touching, and Beethoven's craftmanship in the variations form he uses to achieve his means in both movements is unsurpassed. The contrapuntal ingenuity of movement one that precedes the cantabile melodiousness of movement two can be analogized to the idea of Beethoven looking back to the strict classicism of Bach, Handel, Haydn, and his teachers Neefe and Albrechtsberger and forward to the free emotional outpourings in music that would characterize much of the romantic period.


Wow, I wonder what you get in Literature?

I love the first movement, the canonic imitations, and in general the fugual style of Beethoven is shown at it's hight I believe.
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Philip Daniel
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Posted: Sun Aug 29, 2004 4:11 am    Post subject:

beethoven wrote:
Philip Daniel wrote:
beethoven wrote:
I'm interested to see what you people think about Op.111?

It's one of the most subjective and personal pieces in Beethoven's ouvre, and I find every single note compelling and beautiful; in fact, it is hard not to be drawn to the beauties of Beethoven's many sonatas & variations for piano, but this one is special . The passion of the first movement and the grace of the arietta that follows are very touching, and Beethoven's craftmanship in the variations form he uses to achieve his means in both movements is unsurpassed. The contrapuntal ingenuity of movement one that precedes the cantabile melodiousness of movement two can be analogized to the idea of Beethoven looking back to the strict classicism of Bach, Handel, Haydn, and his teachers Neefe and Albrechtsberger and forward to the free emotional outpourings in music that would characterize much of the romantic period.


Wow, I wonder what you get in Literature?
I love the first movement, the canonic imitations, and in general the fugual style of Beethoven is shown at it's hight I believe.


Are you being sarcastic?
But, anyway, yes; the first movement of opus 111 is one of contrapuntal mastery.
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Max
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Posted: Wed Sep 22, 2004 9:53 pm    Post subject:

None of the above.

I like op.14 no.2 best.
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calebrw
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Posted: Tue Nov 09, 2004 2:09 am    Post subject:

out of those i have to say "The Tempest", but i general, i perfer the Piano and Cello Sonata No. 3 in A Minor, speciffically movement 2: Scherzo. Allegro Molto
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beethoven
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beethoven

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Posted: Tue Nov 09, 2004 10:34 am    Post subject:

calebrw wrote:
out of those i have to say "The Tempest", but i general, i perfer the Piano and Cello Sonata No. 3 in A Minor, speciffically movement 2: Scherzo. Allegro Molto


I love all of Beethoven cello sonatas. I've got an amazing DVD of Richter/Rostropovich playing complete cello sonatas. I'll try to rip it if you want.
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aout4
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Posted: Tue Nov 09, 2004 2:13 pm    Post subject:

I vote for pathetique... I love the 2nd movement.....I once said it "sounded" sad for me....
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Max
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Posted: Sun Nov 28, 2004 10:44 pm    Post subject:

I changed my mind to the opus 28, I'm polishing it and I have to say its awesome.
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SteinwayModelD
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Posted: Mon Nov 29, 2004 1:27 am    Post subject:

Op.111
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An!ma`
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Posted: Mon Nov 29, 2004 12:46 pm    Post subject:

SteinwayModelD wrote:
Op.111



Agreed, best Beethoven sonata of the whole lot, imo.
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