
Max wrote:L'isle Joyeuse, the piece is fine until the jump at the ending. So hard to bring out the notes clearly.
Krai wrote:Max wrote:L'isle Joyeuse, the piece is fine until the jump at the ending. So hard to bring out the notes clearly.
Oh man, I am playing this now......I can't wait until I make it to the end. As for difficulty I guess it depends on what your strengths are. For me, it would be Scriabin sonatas, well not all of them, but some of them can be painful. But other than that, I have no idea. I'll let you know about L'isle Joyeuse.
An!ma` wrote:Hahah, ouch. I'll be giving an all "me" recital too this year, I hope I don't faint
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An!ma` wrote:Hahah, ouch. I'll be giving an all "me" recital too this year, I hope I don't faint
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"Never put Beethoven Op.109, 111 and Wanderer Fantasy in one recital.....'
Chris wrote:"Never put Beethoven Op.109, 111 and Wanderer Fantasy in one recital.....'
Who plays three complete sonatas in a recital anyway, unless it's a cycle of a composer's works? That's alot to sit through for an audience. Complete sonatas wear on your average joe alot more than a variety of works.
PianistSk8er wrote:An!ma` wrote:Hahah, ouch. I'll be giving an all "me" recital too this year, I hope I don't faint
.
I did one of those one time, let's just say, it went very well. I didn't get toooo nervous, and after about three pieces you calm right down. However, the sun was right in my face the whole time and that made me sweat a bit.
Also, I met a couple of charming young ladies there whom I've kept in touch with every since!
PS
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