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What are you listening to?

Recordings and performances of the past, present and future
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What are you listening to?

Postby beethoven » 25 Aug 2004, 14:39

Ok, here we go with the third series of "What are you listening to?".

I'm listening to Pletnev playing Rach-paganini rhapsody.
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Postby PianistSk8er » 25 Aug 2004, 14:40

I'm listening to HR2, Hamelin. ;)

PS
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Postby virtuoso_735 » 25 Aug 2004, 15:13

I'm not listening to anything right now...but I listened to the Haydn Trumpet concerto recently.
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Postby beethoven » 25 Aug 2004, 15:19

virtuoso_735 wrote:I'm not listening to anything right now...but I listened to the Haydn Trumpet concerto recently.


Oh, I like that piece.

I'm listening to Beethoven Missa Solemnis- Bernstein
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Postby WinterWind_23 » 25 Aug 2004, 16:58

Now, I'm listening to Czerny School of Velocity no.34.
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Postby Philip Daniel » 25 Aug 2004, 17:17

I'm listening to the great modern German organist Lionel Rogg (whom I've actually spoken to at the Music-scores forum before,) play Louis-Nicolas Clerambault's Suite du deuxieme ton on his CD Clerambault: Suite du premier ton; Suite du deuxieme ton. I must say, it's ravishing :).
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Postby Amnesia » 25 Aug 2004, 17:32

Moonlight sonata by Brendel :)
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Postby Jeliness2 » 25 Aug 2004, 17:58

Waltzes and stuff
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Postby An!ma` » 25 Aug 2004, 18:14

Für Elise by Badura-Skoda :). I have learnt to re-appreciate this piece after hating it and not listening for the longest time.
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Postby Jeliness2 » 25 Aug 2004, 18:16

ewwww, i don't think i could ever like fur elise again.
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Postby An!ma` » 25 Aug 2004, 18:30

Don't listen to it for a couple of years ;-). And whenever someone plays it run out of the room screaming.
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Postby Jeliness2 » 25 Aug 2004, 18:31

LOL, i already do that ;-)
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Postby An!ma` » 25 Aug 2004, 18:33

Good boy :D.
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Postby Philip Daniel » 25 Aug 2004, 18:38

Cherubini's Requiem in C Minor: Dies Irae, performed by the URSS Symphony Orchestra & Choir conducted by Roszdestvensky. Both Beethoven and Haydn admired this piece, which during that time was rated as highly as Mozart's Requiem, and I too think it is worthy of such an honor. Cherubini's characteristic perfect choral writing, a model for choral music, especially in England, to follow, develops the warm, lush, & gorgeous characteristic polyphonic idiom of Palestrina, a composer whom Cherubini studied & admired, and combines it with his own natural, almost violent dramatic power & energy, his amazing genius. Beethoven & Schumann considered him the greatest dramatic composer of their time. He was born in 1760 and died in 1840.
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Postby Chozart » 25 Aug 2004, 18:41

this one girl playing the Brahms Paganini Variations

they're just wonderful ^_^
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