Piano Concerti

Chopin composed two piano concerti. These large-scale masterpieces each comprise three movements and follow the traditional structure of the concerto to a certain extent. He worked on them simultaneously, while he lived in Warsaw. In these works, Chopin made extensive use of Polish themes. He had always been fascinated by the rhythms and melodic vitality of Polish folk music. The finales of both concerti are greatly influenced by Polish dances, especially the mazurka.

The concerti are challenging, for they demand of the musician a mastery of pianoforte technique and musicality. They are frequently played with orchestras around the world. Unfortunately, some believe that Chopin did not adequately write the music of the orchestra. The accompaniments seem to serve as a medium to the pianist. Given that the young musician had little experience in this type of composition, that which he was able to write is impressive. The simplicity is elegant, as it sheds light on a new genre of concerto.

Piano Concerto No. 1 in E Minor, Op. 11

On October 11, 1830, Chopin performed a “farewell” concert in Warsaw, before leaving for France. He performed his first piano concerto with great success: the audience was enthusiastic. This is the first concerto he published; however it is in fact the second concerto he composed. He dedicated it to Friedrich Kalkbrenner, one of the great keyboard virtuosi and pedagogues of his time, whom Chopin revered to such an extent that he considered studying with him when he arrived in Paris.

The concerto contains the three movements that are typical of classical concerti:
1. Allegro maestoso, a majestic statement;
2. Romance: Larghetto, a charming nocturne;
3. Rondo: Vivace, an elegant conlusion.

Piano Concerto No. 2 in F Minor, Op. 21

Chopin composed his second piano concerto at the age of 19. Its nature is more personal and expressive than that of the first. He performed it for the first time, on March 17, 1830, in Warsaw. It is regarded as one of the most important piano concerti of Romantic music.

Its structure is similar to that of the first:
1. Maestoso, a majestic introduction;
2. Larghetto, an endearing piece;
3. Allegro vivace, a lively ending.